sonata

The Baroque applied the term sonata to a variety of works, though most works in the Baroque Period were fugues and toccatas, including works for solo instrument such as keyboard or violin, and for groups of instruments.[citation needed] In the transition from the Baroque to the Classical period, the term sonata underwent a change in usage, from being applied to many different kinds of small instrumental work to being more specifically applied to chamber music genres with either a solo instrument, or a solo instrument with piano. Increasingly after 1800, the term applied to a form of large-scale musical argument, and it was generally used in this sense in musicology and musical analysis.[citation needed] Most of the time if some more specific usage was meant, then the particular body of work would be noted: for example the sonatas of Beethoven would mean the works specifically labeled sonata, whereas Beethoven sonata form would apply to all of his large-scale instrumental works, whether concert or chamber. In the 20th century, sonatas in this sense would continue to be composed by influential and famous composers, though many works which did not meet the strict criterion of "sonata" in the formal sense would also be created and performed.[citation needed] The term sonatina, literally "small sonata", is often used for a short or technically easy sonata.